ALC201 - Online Identity
Social
mediums act as platforms of self-expression, self-reflection and identity
construction. The nature of social media requires users to consciously, visibly
and deliberately perform their identity, whatever they imagine that to be (Gabriel,
F, 2014, p104). As argued by Gilpin (2010, p233), “identity construction” can
be seen as a “sense-making process by which people selectively organize their
experiences into a coherent sense of self” (Kimmons, R, 2014, p94). In my own
experience of witnessing online behaviour, this ‘coherent sense of self’ is
reflective not of a person’s realisation of their own identity, but by the identity
they desire to possess.
Social
media has inevitably lent users the power to transform, project and alter their
identity. Generally, people choose to promote the most exciting, adventurous
and admirable things they have done on social media to maintain a certain image
of themselves. Everyone is guilty of sensationalising their profile to
proliferate the highlights of their life. I know myself am a culprit. My
online life consists of albums of photos from recent holidays, from parties and
formal events, from my impulsive decisions to go ice skating or sky diving. These
photos may imply my personality is spontaneous (when in reality, I plan my
day’s to the minute), adventurous (which is exactly me!…unless it’s cold, or
too hot. Or there’s something better on TV), professional (Can someone please
just pass the vodka?!), and sociable (who wants to talk to people when you can spend
time with your dog?). This construction of my online identity is a compilation
of photos, of check in’s at fancy cafĂ©’s, and status’ claiming how good it
feels to be standing on the Eiffel Tower. Posting photos of highlights in my
life implies a certain lifestyle, and personality others may assume I have. What
lacks in my online identity is what I spend most my life doing…work, studying,
and sending snap chats of my dog.
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| The difference between online and offline identity |
While
I use my profile as a fun way to annoy people with photos, brag about my
sandwiches, and tag friends in videos of people falling off things, my
boyfriend uses his for very different purposes. Matt is a personal trainer, and
in order to maintain his reputation and credibility, he avoids posting of
himself eating junk food, or drinking alcohol. Many of his posts are work
related, promoting the weight lifting classes he runs, and the successes of his
clients. Matt’s online presentation is motivated by his profession, and surely
heightens his passion for fitness and health. When, in reality, he can inhale a
Parma and pot in the time it takes me to pick up my fork. But his clients don’t
need to know that…
As
I have described with two personal examples, people use social media for a
number of different reasons and in a number of varying ways. What is concerning
is that the rise of reliance and time spent on social media, users are becoming
more exposed to images of celebrities, of their peers and of advertising that
has led to a more sexualised culture. Young people are growing up in an
increasingly sexualised world driven by technology (Walker, S, Sanci, L, Temple-Smith, M, 2013, p8). They are turning to social media to
represent their own coming of age processes, and are negotiating and developing
their identities through these platforms (Gabriel, F, 2014, p106). I notice
this witnessing the online behaviour of younger cousins and family, who dress
years beyond their age. Wasn’t I in matching tracksuits at 12?
Consider
the use of Instagram to explore this theory. Admittedly, I follow a lot of my
favourite actors and singers on Instagram, like most users out there. Whilst it
seems like a little harmless insight into the life of a well-known celebrity,
there seems to be obvious consequences for following these high-profile stars,
particularly in the modern pop industries. For example, it’s been very hard for
me to cope with the fact that I will never have BeyoncĂ©’s wardrobe, or her
booty. Humans tend to judge, compare, and wallow in our own self-pity by the
fact that we’re not a size 6, because every single celebrity we follow on
Instagram is. It’s dangerous, and is leading to more and more pressure for people
to fit into a narrow band of beauty (Gabriel, F, 2014, p105).
Furthermore, the age by which people are becoming involved in virtual worlds is becoming younger and younger. Social media engagement is particularly harmful to young people in the process of self-development and can create a completely different context for an individual to grow and mature (Gabriel, F, 2014, p106). Research by Laurence Steinberg (2008) has revealed that during adolescence, the brain’s ‘socio-emotional’ systems mature faster than the ‘cognitive-control’ systems. This imbalance means that teens make decisions and process information in a way that is more likely to emphasise emotional or social reward over potential risk (Gabriel, F, 2014, p105). Impressionable minds are vulnerable to sexualised images of their ‘role models’, and therefore may feel pressure to fulfil some sort of performative gender stereotype. Women, in particular, are predominantly portrayed as sexual beings in the media, in advertisements, in music and in movies. Therefore, a young woman’s motivation to adhere to these standards may post sexualised images of themselves on social media, not considering the consequences if a potential employer, or worse, their DAD, came across them online.
Indeed,
digital culture is becoming increasingly pervasive and embedded in young
people’s everyday experiences (Weber, Dixon, 2010) (Walker, S, Sanci, L, Temple-Smith, M, 2013, p8). It is controlling much of how they see
themselves, and the world around them. There is a blurring distinction between
ones online and offline identity, and can be detrimental to ones sense of self,
and self-esteem. People’s online identity is their own to create, however, when
motivation is based on reputation, belonging, and attention, rather than
expression, I’d suggest a reconstruction. Thanks for reading. I’d stay and chat
but I must be off to my equestrian race now.
Bibliography
Walker,
S, Sanci, L, Temple-Smith, M, 2013, Sexting and young people: Experts’ views. Youth Studies Australia, 30, no4, retrieved August 1st
2014, http://journals.sfu.ca/ysa/index.php/YSA/article/viewFile/129/145
Thomas, A, 2008,
Youth Online: Identity And Literacy in
The Digital Age, Peter Lang Publishing, EBSCOhost, New York
Kimmons, R,
2014, ‘Social Networking Sites, Literacy and the Authentic Identity Problem’, Techtrends: Linking Research & Practise
To Improve Learning, 58, 2, pp. 93-98, Education Source, EBSCOhost, viewed 28 July 2014
Gabriel, F,
2014, ‘Sexting, selfies and self-harm: young people, social media and the
performance of self-development’, Media
International Australia incorporating Culture and Policy, 151, p104, Literature
Resource Center, EBSCOhost, retrieved
30 July 2014
